Interning with Pat Oleszko: September 27, 2014

Today was the Open House, which Pat used as an opportunity to showcase the work she has made so far. She did this by staging a wedding, and using those who attended for the open studios as the "wedding guests." Upon arriving, participants were given black drapes and hats. The purpose of the black drapery was to make the crowd more cohesive and provide a more neutral backdrop for the hats to pop against.

Once everyone was properly attired (meanwhile, I had donned my Auntie Maim curtain dress & wig!), we were conducted outside of the church, down the road, so that we could simulate a joyous procession, gaily headed for the church. Everyone was instructed to be as theatrical and over-the-top emotional as possible, for the purpose of the documentation. Then, we made our way inside the church in pairs. Next, we gathered around and sat in anticipation of the pretend wedding. Here, guests were encouraged to perform a variety of theatrics, such as laughing, crying, sleeping, gossiping, and bickering. Following this, Pat climbed into her full bridal-party costume, and everyone stood and provided general fanfare as she flaunted the lovely ladies about the church. Finally, the whole group made its way back outside, where we all posed for the big wedding portrait.

The guests that I talked to all had a fine time. Most were surprised at how they were asked to participate, but pleasantly so. I was interested to see how willing people were to help, and how patient and flexible they were with all of Pat's instructions. It is good to keep in mind for any of my own future social/participation based work.

Next Saturday will be the final performance, "The Would-Lands." Many people at today's event expressed interest in participating in this, so it will be interesting to see how that all plays out. I am not quite sure what to expect, but I know that the pieces displayed in the church will be featured, either in the performance itself, or as part of the Rail Trail installation.